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Kodachrome 64 is 86′d

JISHOU, HUNAN — Kodak has decided to cease production after 74 years of its famous slide film, Kodachrome 64.

Basically, it’s time to move on, the company says. Photogs are abandoning film for digital cameras, and anyway Kodak makes other films that are easier to process, like Ektachrome. (Only one lab in the USA still processes Kodachrome 64, but it will stop that service next year. Diehard fans can still buy Kodachrome 64 from the lab’s remaining stock.)

Paul Simon immortalized Kodachrome in his song of the same name, but it was a favorite of photographers for decades before for its fine grain and excellent color reproduction. Steve McCurry, for example, used Kodachrome 64 to capture this famous portrait of a young Afghan woman for National Geographic in 1985. (Click on the image to see it fullsize.)

Afghan Girl

Newer films, like Ektachrome, are faster (more sensitive to light) and are easier to process than Kodachrome 64 (the 64 refers to the film speed or light sensitivity, ASA 64). As popular as it once was among users, lately it has accounted for less than 1% of Kodak’s film sales. So it makes sense to retire it.

Kodachrome’s demise, though, is another example of the paradigm shift in still photography. Digital cameras are so convenient and affordable now that most everyday users have abandoned film cameras entirely. The quality of digital photos has also encouraged most professionals, save for a few diehards, to retire their film-camera bodies, perhaps forever.

RIP Nikon FM

No roadtrip is possible, I suppose, without a mishap or two. The Nashville movie-extra jaunt may have forced me out of the 35mm dark ages into the new digital age.

Whilst attempting to pass a semi on I-65 somewhere south of Elizabethtown, my hatch flew open and stuff flew out of the back. The quick-witted Niece managed to save our clothing from being spread all over the highway, but something did get sucked out. It was my camera bag, containing one 30-year-old Nikon FM body, three Vivitar lenses, a motor drive and various other acoutrements of 35mm SLR-dom.

Bang. Smash. Tinkle. All gone, in the blink of an eye. What didn’t shatter on impact was quickly pummeled into oblivion by the semis that were behind and alongside us. The FM body is a tough little thing, but somehow I think its designers did not anticipate it being underneath an 18-wheeler going at 70 mph.

Sigh. I’m a little sad, since the camera has traveled with me through dozens of states and several foreign countries, and recorded all number of personal, family and school events. My dad bought it for me when he still worked at EPOI, the then-parent company of Nikon, and by company policy it had his (and therefore my) name engraved on the bottom plate in gold letters.

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